The 2D disc was even more satisfying when evaluating the inky-deep blackness of space and the rich colors of mother Earth, but it's hard to say which version I prefer. The 3D image the Epson put forth was among the most engaging I've seen yet, with minimal crosstalk and little flickering to speak of. My wife and I watched the Blu-ray 3D disc using my Oppo BDP-93 player mated to my reference Epson 5020UB projector. Even at home on this stellar Blu-ray 3D edition, camera pans over the shuttle exhibit tremendous depth of field, with isolated elements in the foreground standing out convincingly against the ever-present Earth in the background. Despite the occasional bolt or tear drop spinning towards you, most of the 3D on display here is subtle and far from gimmicky. Unlike the rash of films we see being unnecessarily and sloppily converted to 3D (here's looking at you, Clash of the Titans), Gravity features 3D done right. presents Gravity on Blu-ray in its intended 2.40:1 aspect ratio. That being the case, it should come as no surprise that Warner Bros.
#SHARKS 3D IMAX HOUSTON MOVIE#
Despite its billing as an "IMAX 3D Experience" in theaters, Gravity was shot and presented using a traditional 2.40:1 aspect ratio - even on IMAX screens - and no part of the movie was actually filmed using IMAX cameras. If you're expecting the same thing here, think again. If you've watched The Dark Knight or The Dark Knight Rises on Blu-ray, you may recall those eye-popping IMAX-filmed sequences, where the image would expand to a screen-filling, more IMAX-esque 1.78:1 aspect ratio. Like Avatar, 3D does make a difference here and it does enhance the viewing experience.
(Heck, I received a pair of ThinkGeek 2D glasses for Christmas!) However, after seeing Gravity in an IMAX 3D theater, I quickly added the film to my short list of 3D exceptions. As my editor can tell you, I typically avoid 3D whenever possible - both at the theater and especially at home. Warner brings Gravity to Blu-ray Disc in two combo package flavors, one featuring both the 2D and 3D editions and one featuring just the 2D edition. It's at this point that Director Alfonso Cuarón grabs you by the throat and doesn't let go for the next 75 minutes. Somewhere around 15 minutes into the film - marking the end of a magnificent, uninterrupted tracking shot - things go horribly wrong. Suffice to say, Sandra Bullock and George Clooney play two members of a space shuttle crew servicing the Hubble Space Telescope. If you've somehow managed to avoid learning the plot of Gravity, I won't be the one to ruin it for you. Please promise you won't watch it on your phone. Gravity's jaw-dropping visuals play such an important role in the film, it seems downright criminal to watch the film on a small screen. Call your friend with the front projection system, use that tax refund to buy yourself a bigger TV, just do whatever you need to do. But just in case you haven't heard it already, the message warrants repeating: If you haven't seen Gravity yet, you owe it to yourself to experience it on the largest screen you can find, preferably one accompanied by a top shelf sound system. If you're a regular BPBS reader, odds are good I'm preaching to the choir. Years from now, it's one of those films about which you'll say, "I can remember the first time I saw that." It is the up-ended transom of the Titanic, and the floating mountains of Pandora. Alfonso Cuarón's Gravity is one of those films. Every five or ten years, a film comes along to push the envelope of what is possible in movie making, establishing the next benchmark in cinema.
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